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“I thrive in drama.”) She falls for Kai early on, and they enjoy an interlude in the self-explanatory “boom boom” room.

But then horny Kai also hooks up with Remy (a “proudly promiscuous” bisexual).

The housemates themselves have to figure out the “true love” couplings by undertaking a bunch of elaborate activities.

But the plot’s reductive pretense revolved around the fact that some of the suitors were secretly straight.Kai, a self-described nonbinary transmasculine human who has already become something of a breakout star, points out that there’s no “trans dating for dummies” handbook.He explains in a confessional that as he has transitioned, his hormones leave him feeling like a horny teenage boy.” The castmates represent a much fuller range of the gendered spectrum, from femme and masc queer men to butch and femme queer women, to nonbinary and trans castmates.In bringing them all together, the show is creating a televisual space to stage the complexities of gender and desire that can come with queer dating and that are rarely seen on television — or in pop culture, period. actually lives or dies through the strength of the casting and the resulting drama of the casts’ relationships. As the housemates engage with each other, falling into and out of connections and figuring out their feelings for each other in search of the grand prize, they are remarkably open and self-aware about the difficulties — and pleasures — of breaking out of old dating patterns.

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